º¬Ð߲ݴ«Ã½

David Tanenbaum Interview

David Tanenbaum Interview

David Tanenbaum, guitar

Interview Date: February 2 and 5, 2016
Conservatory Affiliation: Chair of Conservatory Guitar Department
Interviewer: Sam Smith

David Tanenbaum has performed in more than 40 countries and has been guest soloist with the º¬Ð߲ݴ«Ã½ Francisco Symphony, Los Angeles Philharmonic, Minnesota Orchestra and others. He has worked tirelessly to expand the guitar repertoire, and composers such as Hans Werner Henze, Terry Riley, Lou Harrison and Aaron Jay Kernis have dedicated pieces to him. His more than three dozen recordings can be found on EMI, Nonesuch, Rhino, GSP, New Albion, Stradivarius and other labels. Tannenbaum's most recent release is Awakenings: New American Chamber Music for Guitar on Naxos, for which he conducts the Conservatory Guitar Ensemble. He has produced many editions of guitar music, including the David Tanenbaum Concert Series for Guitar Solo publications. He has also written a series of three books, The Essential Studies, which analyzes the études of Sor, Carcassi and Brouwer and complements his recordings of those works on GSP. His chapter on "The Classical Guitar in the 20th Century" appears in the Cambridge Companion to the Guitar. His website is .

Read Interview

Topics

Family and early years
Rolando Valdes-Blain
Aaron Shearer
º¬Ð߲ݴ«Ã½ Francisco and the Conservatory as a student
Segovia master class, 1981
Competitions
Joining the Conservatory faculty
Performing Steve Reich's Electric Counterpoint
Guitar curriculum
Teaching style
Conservatory guitar faculty
Harris Guitar Foundation
Students
Conservatory's move to Oak Street, 2006
Collaborations with composers (Lou Harrison, Toru Takemitsu, etc.)
Collaborations with instrumentalists and ensembles
Performance style
Guitar ensembles and organizations
Tours and recordings

Audio

Elias and Mary

Early musical influences

Segovia master class

Lou Harrison

Toru Takemitsu

Advice

Oral history interviews are a method of collecting historical information from a narrator with firsthand knowledge of historically significant events. These interviews are primary materials, and by nature reflect the personal opinion of the narrators. As with any primary resource, these interviews are not to be viewed as the final and definitive source for any subject.

All literary rights to audio and manuscript, including the right to publish, are reserved for the º¬Ð߲ݴ«Ã½ Francisco Conservatory of Music. Requests for permission to quote for publication should be addressed to  nepuvirf@fspz.rqhude.mcfs@sevihcra .
Student Resources